Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, March 15, 2012

Elle Horror Inspired Shoot with Glee Stars

 
 Kate Mara - Carrie
 Dianna Agron - Attack of the 50 Foot Woman
 Naya River - Suspiria
 Connie Britton - The Omen
 Jayma Mays - The Birds
 Taissa Farmiga - When a Stranger Calls
 Heather Morris - Repulsion
 Sarah Paulson - Whatever Happened to Baby Jane?
Lea Michele - Creature From the Black Lagoon

This fantastic photo shoot done for Elle online magazine was done by Ryan Murphy. The Co-creator of shows such as Glee and American Horror Story. The shots are done with Stars from Glee and some stars from Murphy's other shows. It's great to  see that someone has taken a notice in the classic and timeless looks featured in many horror films. Murphy was also kind enough to share his personal feelings on many of these classic films. You can read it here.

Tuesday, September 13, 2011

The Velvet Ribbon




When I was little I heard the tale of The Velvet Ribbon in a children's horror book called "In a Dark, Dark Room and Other Scary Stories" The tale was simple and short, but for some reason the tale was just so darn memorable. The story itself is eerie and depending on the version you hear/read it might give you a nightmare or two. I find it interesting that in each version of the story, the husbands interest in the velvet ribbon becomes an obsession. We never find out why the wife is headless and much to the husbands dismay his wife's past is ambiguous in nature. The ribbon could symbolize the woman's past and the man's inability or ability to come to terms with the fact that no matter her past will remain a mystery till she deems him worthy enough to reveal it to him.

Version 1: 

She was beautiful in a strange, mysterious way. Her hair and her deep bottomless eyes were as black as the velvet ribbon around her neck. He planned to marry her before the next full moon rose in the autumn sky.

On their wedding, he watched her walked towards him up the long aisle. She was dressed in a white gown, a white veil, and carried a bouquet of white flowers. Even her face was ivory white. But below it, around the ivory neck, was the black velvet ribbon. He remembered staring at that ribbon as the strains of the wedding march brought his bride nearer to him. He remembered the curious and shocked looks on the faces of the wedding guests. But then his eyes met hers, and he was drowning in their bottomless darkness.

He didn't think of the velvet ribbon during the rest of his wedding day. It was a joyous time, and if people thought his wife was a bit strange, they kept that to themselves. That night, when they were alone, he saw that the ribbon was still there, still circling her lovely neck.

"Don't you ever take that ribbon from around your neck?" he asked, hoping his question was a needless one.

You'll be sorry if I do," his wife answered, "so I won't."

Her answer disturbed him, but he did not question her further. There was plenty of time for her to change her ways.

Their life together fell into a pleasant pattern. They were happy, as most newly married couples are. He found her to be a perfect wife... well, nearly perfect. Although she had a great number of dresses and wore a different one every day, she never changed the black velvet ribbon. This ribbon began to be the test of their marriage. When he looked at her, his eyes would inevitably fall to her neck. When he kissed her, he could feel the ribbon tightening around his own throat.

"Won't you please take that ribbon from around your neck?" he asked her time and time again.

"You'll be sorry if I do, so I won't." This was always her answer. At first it teased him. Then it began to grate on his nerves. Now it was beginning to infuriate him.

"You'll be sorry if I do."

"You'll be sorry if I do."

One day he tried to pull the ribbon off after she had repeated her answer, like a mechanical doll. It wouldn't come loose from her neck. He realized then, for the first time, that the ribbon had no beginning and no end. It circled her neck like a band of steel. He had drawn back from her in disgust that day. Things weren't the same with them after that.

At the breakfast table, the black ribbon seemed to mock him as he drank his suddenly bitter coffee. In the afternoon, outisde, the ribbon made a funeral out of the sunlight. But it was at night when it bothered him the most. He knew he could live with it no longer.

"Either take that ribbon off, or I will," he said one night to his wife of only four weeks.

"You'll be sorry if I do, so I won't." She smiled at him, and then fell off to sleep.

But he did not sleep. He lay there, staring at the hated ribbon. He had meant what he said. If she would not take off the ribbon, he would.

As she lay sleeping and unsuspecting, he crept out of bed and over to her sewing box. He had seen a small, sharp scissors she kept there. It was thin enough, he knew, to slip between the velvet ribbon and her soft neck. Gripping the scissors in his trembling hands, he walked softly back to the bed. He came up to where she lay and stood over her. Her head was thrown back on the pillow, and her throat with the black velvet ribbon around it rose ever so slightly with her breathing.

He bent down, and with one swift movement, he forced the thin blade of the scissors under the ribbon. Then with a quick, triumphant snip, he severed the ribbon that had come between them.

The black velvet ribbon fell away from his wife's neck....her head rolled off the bed and landed on the floor with a thump. She was muttering, "You'll be sorry, you'll be sorry......."

 The Green Ribbon by Laura Freeman
 
Version 2:

by Ann McGovern 

Once there was a man who fell in love with a beautiful girl. And before
the next full moon rose in the sky, they were wed.
To please her husband, the young wife wore a different gown each night.
Sometimes she was dressed in yellow; other nights she wore red or blue
or white. And she always wore a black velvet ribbon around her slender
neck.
Day and night she wore that ribbon, and it was not long before her
husband's curiosity got the better of him.
"Why do you always wear that ribbon?" he asked.
She smiled a strange smile and said not a word.
At last her husband got angry. And one night he shouted at his bride.
"Take that ribbon off! I'm tired of looking at it."
You will be sorry if I do," she replied, "so I won't." Every morning at
breakfast, the husband ordered his wife to remove the black velvet
ribbon from around her neck. Every night at dinner he told her the same
thing.
But every morning at breakfast and every night at dinner, all his wife.
would say was, "You'll be sorry if I do. So I won't."
A week had passed. The husband no longer looked into his wife's eyes. He
could only stare at that black velvet ribbon around her neck.
One night as his wife lay sleeping, he tiptoed to her sewing basket. He
took out a pair of scissors.
Quickly and quietly, careful not to awaken her, he bent over his wife's
bed
and
SNIP! went the scissors, and the velvet ribbon fell to the floor
and
SNAP! off came her head. It rolled over the floor in the moonlight,
wailing tearfully:
"I...told...you...you'd...be...s-o-r-r-y!"


Version 3:

Yellow Ribbon

retold by S.E. Schlosser

Jane wore a yellow ribbon around her neck everyday. And I mean everyday, rain or shine, whether it matched her outfit or not. It annoyed her best friend Johnny after awhile. He was her next door neighbor and had known Jane since she was three. When he was young, he had barely noticed the yellow ribbon, but now they were in high school together, it bothered him.

“Why do you wear that yellow ribbon around your neck, Jane?” he’d ask her every day. But she wouldn’t tell him.

Still, in spite of this aggravation, Johnny thought she was cute. He asked her to the soda shoppe for an ice cream sundae. Then he asked her to watch him play in the football game. Then he started seeing her home. And come the spring, he asked her to the dance. Jane always said yes when he asked her out. And she always wore a yellow dress to match the ribbon around her neck.

It finally occurred to Johnny that he and Jane were going steady, and he still didn’t know why she wore the yellow ribbon around her neck. So he asked her about it yet again, and yet again she did not tell him. “Maybe someday I’ll tell you about it,” she’d reply. Someday! That answer annoyed Johnny, but he shrugged it off, because Jane was so cute and fun to be with.

Well, time flew past, as it has a habit of doing, and one day Johnny proposed to Jane and was accepted. They planned a big wedding, and Jane hinted that she might tell him about the yellow ribbon around her neck on their wedding day. But somehow, what with the preparations and his beautiful bride, and the lovely reception, Johnny never got around to asking Jane about it. And when he did remember, she got a bit teary-eyed, and said: “We are so happy together, what difference does it make?” And Johnny decided she was right.

Johnny and Jane raised a family of four, with the usual ups and downs, laughter and tears. When their golden anniversary rolled around, Johnny once again asked Jane about the yellow ribbon around her neck. It was the first time he’d brought it up since the week after their wedding. Whenever their children asked him about it, he’d always hushed them, and somehow none of the kids had dared ask their mother. Jane gave Johnny as sad look and said: “Johnny, you’ve waited this long. You can wait awhile longer.”

And Johnny agreed. It was not until Jane was on her death bed a year later that Johnny, seeing his last chance slip away, asked Jane one final time about the yellow ribbon she wore around her neck. She shook her head a bit at his persistence, and then said with a sad smile: “Okay Johnny, you can go ahead and untie it.”

With shaking hands, Johnny fumbled for the knot and untied the yellow ribbon around his wife’s neck.

And Jane’s head fell off.


Origins of the Tale


The origin of the tale is unknown, but many believe that the tale roots back to the French Revolution. The events and occurrences of the French Revolution are in fact nightmarish in their own right. After the "Reign of Terror" it became fashionable for the youth who had lost a personal family member to revolution to throw macabre soirees known as 'Les bals des victimes', or 'The victims’ balls'. It was at these parties where a series of strange and rebellious fashions began to make a scene. Women and men both cut their hair in the style of  cheveux à la titus, a style used to commemorate the same cut that was given to the victims of the guillotine. This short hairstyle for men became terribly fashionable throughout Europe and really started the trend for men to have short hair.(The French Reveloution is responsible for quite a few of our modern day fashions, like pants.) The women had their own special fashion, red ribbons were worn across the upper back of dresses and most importantly women began to wear red ribbons around their neck to symbolize where the blade of the guillotine had cut the victims of the "Reign of Tower".

Perhaps, it was during this time period that the tale of "The Velvet Ribbon" was formed, but untill I can find solid information I can't really say for sure. All, that I know for a fact is that the tale will live on and many more versions will be seen in the future. 



Sources:

http://www.blastmilk.com/decollete/guillotine/victims-ball.php

http://www.thevictimsball.com/TVB_Main.html

Image #1:http://www.paintingall.com/Italian-Genre-Portrait-Painter-Giovanni-Boldini-Princess-Catherine-Radziwill-with-a-red-ribbon-around-her-neck-Oil-Painting.html
 
-Horrorwood Doll

Friday, June 10, 2011

The Art of Victoria Frances

Victoria Frances is a hauntingly talented artist that has become one of the most well-known illustrators in Spain  was born in Valencia,Spain on October 25 of 1982.

Her art is known for featuring vampires, witches, and the occasional ghost. Miss Victoria draws inspiration from Gothic literature, the mysterious old world European cities, and Galician Forests that she fondly grew up with.

Miss Frances attended the San Carlos University in Valencia, Spain where she studied Fine Art. She started off designing book covers and began working on her first illustrated book Favole, which became a hit 2004 Saló del Còmic in Barcelona. She has since then become a hit, especially in the goth/horror community.


 Bathory
 Paise de espectros

 Aullidios

The Artist herself.


Here is an interview with Victoria Frances. It's in Spanish, so I haven't the faintest idea on what is exactly being said. Maybe this will motivate me to learn Spanish, well at least you all get to see some more pretty pictures.

Like, I said before Victoria published her first book Favole back in 2004 and then followed that up with Favole II and Favole III. You can purchase each book for under $20 a piece. Apparently, each book is a continuation of a story that is reminiscent to the work of Anne Rice. The books are nice because they hold the majority of Victoria's art, but I've been told that the writing is something less to be desired. Her artwork has been turned into paintings, puzzles, stationary, and she even has a tarot deck.

Her artwork seems to be fairly popular and is often liked by those who usually don't care for dark and semi-horrific artwork. In my opinion the artwork is beautiful and Victoria Frances is obviously a very talented artist, but I'm not nearly as fond of her as one would think. There is just something a bit off-putting about the majority of her artwork and even though I'm able to appreciate the overall workmanship and imagination Victoria has, I just can't bring myself to adore her as much as others have.



Felina

I'm sure those who are fans of romantic Gothic art will adore Victoria Frances,especially vampire lovers. Victoria Frances is sure early on in her career and has even come out with a new book called Arlene's Heart.
If you wish to see more of Victoria's artwork or learn more about the gifted Gothic artist feel free to check out her website.

-Horrorwood Doll

Thursday, April 7, 2011

Shag' s Haunted Mansion 40th Anniversary Artwork

     Disney's Haunted Mansion has been around for quite awhile now. It's hard to believe that the ride is over 40 years old now, since the ride itself just seem so timeless. (Of course that might be because it's always getting updates.) In 2009 The Haunted Mansion had its 40th anniversary and in honor of the big birthday Disney got the popular artist SHAG (Josh Agle) to create a series of images of The Haunted Mansion in his style. (and like I said in my Black Widow Bride game review, I would do a post on SHAG's Haunted Mansion artwork.) The big event took place on August 9th in Disneyland with the original artwork selling from $6,000 to $16,000.



 Of course Disney being the merchandise marketing machines they are couldn't resist putting all the artwork on a range of merchandise. You can check out and see all the merchandise that was available for the event here.


Unfortunately, the majority of the merchandise that was available for the event has sky rocketed,but check out Ebay and you might find a great deal.

There was a Mickey Mouse Haunted Mansion SHAG hat.













                     Hurry back, hurry back........don't forget to bring your DEATH certificate!!

-Horrorwood Doll
(P.S. I'm making it my priority to be there for the Haunted Mansion' 50th birthday.)

Wednesday, March 23, 2011

Salvidor Dali Museum

I'm currently in Florida for a wedding and now seems like the perfect time do the blogs first travel log. Today I got the chance to go to the Salvidor Dali museum in St.Petersburg,Florida. (I know I happen to do a lot of art posts. It just turns out like that. -_-) Anyways, I know Mr. Dali isn't directly linked to horror, but his work has inspired quite a few horror films, etc.


He had a pet ocelot and ocelots are cool.

He was mostly known for his paintings, especially The Persistance of Memory. His work is often filed under surrealism and more often than not his pieces were a bit macabre. Today I'm going to show off some of his morbid pieces.


The Face of War 1940-41
 Ballerine En Tete De Mort

Self Portrait


The Sickly Skull of Venereal Disease

"In the 1940’s, Salvador Dali painted this masterful poster for the armed forces to warn soldiers against the dangers of fornicating with loose foreign hussies and contracting venereal disease. The composition of the sickly green skull from the pert-breasted prostitutes is just breathtaking, especially the way their milky upper thighs, exposed above garters, form the front teeth." -Link

 photograph by Philippe Halsman (Yeah, probably one of the only times you'll see nudity on this blog.)


He also had his hand in photography. His most notable work is the skull that was formed out of seven women, which inspired the cover design for the horror film The Descent. It also appears on that darn moth on the Silence of the Lambs poster. You have to look real close to see,but it's the same image. The image seems to pop up in other places as well,but I'm currently limited on time, so you all are going to be happy with that. (Goodness those women must be uncomfortable.)

You can check out more of Dali's work and earn more about him at the Dali museum in St.Petersburg, Florida. http://thedali.org/ Even if you're not a Dali fan (like me) the museum is still pretty cool. Also check out the cool gift shop online. You can find a lot spiffy trinkets for everyone you know like the tarot card set and the melting clock wristwatch.


If you have the time check out the 1929 film Mr. Dali wrote called Un Chien Andalou.(I had a chance to see it at the museum)  Yeah, I know it doesn't quite fit into the horror genre, but there are enough elements in the film that allows me the chance to put it on the blog. A woman's eye is split open at the two-minute mark. In reality it is actually a cow's eye,but still a bit freaky to watch. It's a sixteen minute film and as far as silent films go it's interesting enough to keep modern movie goers interested. Damn kids, need to appreciate silent films.



-Horrorwood Doll (I honestly do too many art posts -_-)

Note: I'll make another Florida related post in the next few days.

Sunday, March 6, 2011

The Art of Sylvia Ji


The Art of Sylvia Ji can be described as haunting,provocative, mortifying, elegant, alluring, and darkly sensual. To say the least her work is simply one of a kind and has been gaining popularity since she first came into the art scene. 

Catrina in Stripes
Miss Silvia was was born in 1982 in San Fransisco and grew up in a very artistic household. She graduated from  Academy of Art University of San Francisco in 2005, with a BFA in traditional illustration. In her final year the she was able to showcase her wonderful works in a solo show.

 Native
"Some of her paintings are symbolic reflections of herself, portraits of people she knows  and some are just nameless faces set in a landscape of fleeting and decaying beauty." She also seems to draw a lot of inspiration from worldly cultures and their folklore.

 Santa Muerte

Even though she has been around for a limited time, she has already made quite an impact in the art scene. There is already quite an industry  in marketing, tattoos, dolls, makeup, etc. based upon her style. During Dia de los Muertos more and more ladies are inclined to make themselves up to look like one Sylvia Ji's paintings.

Love Struck

I of course love and adore Sylvia Ji's work. (Note: You'll be seeing Sylvia Ji's work pop up from time to time on this blog, especially from yours truly.) Unfortunately her work can cost a pretty penny, but you can find prints of her work for $100- $200 or so. You can currently find some unique Sylvia Ji items on ClickforArt.

Sister Ray
There is no denying that Sylvia Ji's has a strong technique when it comes to her work. She seems to straddle the lines between indie and high brow art. Years from now her work could end up in the Louvre itself or she could end up becoming one of the great under appreciated artists in history. You can check out the majority of Sylvia's work and learn more on her website. http://www.sylviaji.com/

Thunderbird

The artist herself

 An interview about one of her shows.


 Watch the girl work.

Sources:
http://www.sylviaji.com/
http://www.dailyartfixx.com/2010/09/09/sylvia-ji-painting/
-Horrorwood Doll

Friday, February 11, 2011

The Art of Jessica Harrison

The art of Jessica Harrison is simply Goregeous. (Hehe get the pun?) The majority of her work seems to involve in the human anatomy. In other words picture what the world would be like if the Mutter museum infiltrated the art world. I didn't know a thing about her till recently when I came across her current collection.

Just look at these lovely ladies. This what would happen if the porcelain figures in your grandmother's knickknack cabinet got invaded by a horror film. They remind me of my beloved porcelain Dresden dolls to tell you the truth.


I can't help, but think that there is some kind of context on how women acted and were treated in the 19th century. Of course I could be wrong and Jessica could have just wanted to create beauty with horrific imagery. Goodness knows, I would love to own one of these lovely ladies, but alas the workmanship that went into these must be immense as well as the price.

To see more of Jessica's work check out her site here.

-Horrorwood Doll

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